Souvenir
SouvenirSouvenirSouvenirSouvenir

Catno

003

Formats

1x Vinyl 12" 45 RPM Album Stereo

Country

US

Release date

Sep 10, 2021

Maston L'Eclair Souvenir Stage & Screen Jazz lp vinyl record turtle records brussels belgium

Maston released his debut album, Shadows, in 2013, and moved from his native Los Angeles to Amsterdam for a several year stint sitting in with Dutch musician Jacco Gardner’s band. It was during this period that Maston wrote and recorded his second album Tulips (2017). Influenced by European film and library music, the largely instrumental Tulips was released to critical acclaim, garnering comparisons to Ennio Morricone, Sven Libaek, & Piero Umiliani. The record was accompanied by several 16mm films directed by Maston, and the LP’s limited private press release on his own Phonoscope label has become highly sought after among crate diggers and collectors alike.

Following Tulips, he began producing and mixing records for other artists, including his collaboration with Pedrum Siadatian (Allah-Las) as PAINT, whose first two LP’s were produced and recorded by Frank. In April 2021 Maston released his third album, Panorama, on the legendary library music label KPM, bringing his soundtrack influences full circle and firmly cementing himself as a contemporary composer.

Media: Mi
Sleeve: M

27.55€*

*Taxes included, shipping price excluded

Sealed. Ship worldwide or Pick-up possible in Brussels.

1

L'Eau Bleue

3:19

2

Les Monstres

2:18

3

Do You Feel It Working?

3:57

4

Souvenir

1:53

5

Ghost

3:11

6

Café Collonge

2:05

7

The Doors Are Opening

3:11

8

Swiss Franc

4:43

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The fourth album by Web Web “WEB MAX” is a great spiritual jazz work - sometimes floating, sometimes soulful, always intense, and a wonderful homage to early 70s Jazz. Web Web mastermind Roberto Di Gioia is accompanied for the first time by Max Herre as a composer, musician, and producer. Both came together with guest musicians such as Mulatu Astatke, Brandee Younger, Charles Tolliver (Strata East), and others to deliver a virtuoso masterpiece.WEB MAXIn the winter of 2014, German rapper/producer Max Herre and Italian-German pianist Roberto Di Gioia played a tremendous show together. The two had been guest musicians at a few gigs for Gregory Porter, who in turn kindly accepted their invitation to perform at Herre’s MTV Unplugged session (produced by Herre alongside Di Gioia and Samon Kawamura as production team KAHEDI). Porter’s approach to the jazz quartet inspired Max to reflect how a rap artist could work in a more freely-flowingmusical environment. Di Gioia’s inspiration was a bit more straightforward: in the 80s, Di Gioia had played with jazz legends like Woody Shaw, Johnny Griffin, and James Moody, but he’d largely left the jazz stages of his early years behind — just one random jam session with Porter’s musicians during soundcheck relit his passion immensely. A short time later, Herre called Di Gioia saying “Let’s get a spiritual jazz session going.”Now, six years later, the album WEB MAX is the amazing result from the spur of that moment. It is a wonderful homage to the cosmic open-mindedness of early 70s jazz, to the transcendent sublimity of spiritual sound.WEB MAX is the fourth album in four years by the highly acclaimed Web Web quartet, consisting of keyboardist/pianist Roberto Di Gioia, saxophonist Tony Lakatos, bassistChristian von Kaphengst, and drummer Peter Gall, all of them longtime performers of the highest virtuosity, signed to Michael Reinboth’s Compost Records.The one and a half minute intro is called “The Prequel,” introducing the journey with feverish drums,nervous bass, hoarse saxophone, and splintering piano. It kicks and feels like a lost recording from a jazz cellar of the late 60s. “But it was actually created in the KAHEDI apartment studio in Berlin,Kreuzberg,” says Di Gioia with a grin. On one hand, the song is unusual, because the rest of WEB MAX was recorded during completely analog sessions that the band and Herre recorded between 2018 and 2020 in the legendary Munich Mastermix-Studio. 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The poem ends with the words: the heart is born pure.”Herre’s voice, on the other hand, can only be heard as an occasional whispering falsetto in cosmic spheres. His electronic “rustle” (as he calls it) and the groovy, minimalist thrusts of his Wurlitzer may seem modest at first amid the other virtuoso instrumentalists. However, it is precisely this simplicity that proves to be an integral piece. “Simplicity is sometimes the most sophisticated effort”, explains Di Gioia. “And he has something special there that I don’t have. Max plays like an indie guitarist who just hits that one note that makes people freak out.“ And Herre replies with a laugh: “I am a rhythm pianist. I actually just play a few repeating chords at a time, almost like a hip-hop sample.“Herre’s love for jazz goes back to his teenage years in Stuttgart, way back before his hip-hop career.And that too began around 1990, when jazz became a go-to for hip-hop groups like A Tribe Called Quest or Gang Starr. 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It all comes with love from the heart, with all the energy and spirit we have.”

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