The Funk Revolution
Space Dream

Over the last two years, Astigmatic Records have been digging through the Radio Łódź archives, listening to hundreds of recordings of the local Orchestra conducted by Henryk Debich. As a result, 13 gems were selected from the period between 1974 and 1977, which was also the time when the Holy Grail of Polish jazz-funk was created: the highly sought after by record collectors in all corners of the globe "String Beat" album. At the beginning of the year, the first vinyl from the series of releases under the baton of Maestro came out. It was a seven-inch record entitled "Monika/Zabawa w ciemności". The next in line is the long-awaited album "Zbliżenie" ("The Close-up"), initially planned for June, but postponed to September due to overloaded pressing plants. "Zbliżenie" is a longplay packed with groove, pulsating drums, powerful brass and string sections, and unique, previously unreleased compositions. The album's title is not that random, as, apart from the B-side opening track under the same title, we take a closer look at the period when the Łódź Orchestra, thanks to the "angry youngsters" such as Jacek Malinowski, Mirosław Racewicz, Jacek Delong, Andrzej Żylis and Zbigniew Karwacki, was exploring the genre taking the West by storm – Jazz-Funk. In the seventies, despite having over twenty years of experience, the Łódź Orchestra of the Polish Radio and Television was reinventing itself, sounding ever more modern and exciting with every passing year. Depending on the piece, there could be from forty to seventy musicians performing! The orchestra smoothly maneuvered between funk and disco, touching on illustrative music and jazz. Upon the project's completion, it turned out that 2021 will be a year of many anniversaries. 18 January marked the 100th birthday anniversary of the legendary conductor and founder of the Łódź Orchestra of the Polish Radio and Television, while July marked 20 years since he is no longer with us. What's more, Radio Łódź, Debich's home away from home for almost half a century, celebrated its 80th anniversary, and 30 years ago the Orchestra he managed until the very end was disbanded.

Words from 2014:Give The People What They Want is certainly an appropriate title for Sharon Jones & the Dap-Kings' new release. After more than a decade of near constant touring, recording, and as one of the most formidable live acts performing today, they know what their audience wants from them. Happily, it's what they want too.The appeal of Sharon Jones & the Dap-Kings just keeps growing. Michael Bublé has duetted with Sharon on "Baby, You've Got What it Takes", after recording "Crazy Love" with the Dap-Kings back in 2009. The Dap-Kings also contributed to several songs on this year's smash album "To Be Loved". They count Beck, John Legend, Lou Reed and Rufus Wainwright among their collaborators, and of course the Dap-Kings were the band behind Amy Winehouse's Back In Black album for which Gabriel Roth, bandleader and co-founder of Daptone Records, won a Grammy for his engineering skills.Yet it's the Augusta, Georgia native Sharon Jones who is the undisputed centre of attention here. A recent Hollywood turn acting alongside Denzel Washington will certainly do her star power no harm, but one listen to Give The People What They Want will tell you Sharon doesn't need the silver screen to set her name in lights. Her fervent, impassioned singing goes straight to your heart; those sweet soul hooks stay in your head for days on end. These are vocal performances that withstand any comparison to the soul greats.Give The People What They Want is the band's fifth album, recorded at home in Bushwick's Daptone House of Soul Studios after two years of touring behind 2010's lauded I Learned The Hard Way. These ten songs are seasoned with the classic Soul sound one might expect - yet there's a freshness in the band's performances and songwriting that gives the group's fifth studio album a feel unlike anything they've done before. From the electrifying stomp of album opener "Retreat!" to the instantly familiar feel-good groove of "We Get Along," via "Stranger To My Happiness", which perfectly captures the Dap-Kings' sound in three-and-a-half joyous minutes, this is a record that has it all.Give the people what they want, indeed.

Recorded in the San Fernando Valley just a stones throw away from the infamous Van Nuys Blvd. cruising scene, it’s no wonder from the debut long player from The Rugged Nuggets hits hard and demands to be turned up loud with the windows rolled down. Delivering west-coast cool at it’s finest. With swooning strings, breezy guitars and tough as nails drums, Odds & Ends epitomizes a mellow vibe, but is undeniably cool.