Aldorande
Deux

Over the last two years, Astigmatic Records have been digging through the Radio Łódź archives, listening to hundreds of recordings of the local Orchestra conducted by Henryk Debich. As a result, 13 gems were selected from the period between 1974 and 1977, which was also the time when the Holy Grail of Polish jazz-funk was created: the highly sought after by record collectors in all corners of the globe "String Beat" album. At the beginning of the year, the first vinyl from the series of releases under the baton of Maestro came out. It was a seven-inch record entitled "Monika/Zabawa w ciemności". The next in line is the long-awaited album "Zbliżenie" ("The Close-up"), initially planned for June, but postponed to September due to overloaded pressing plants. "Zbliżenie" is a longplay packed with groove, pulsating drums, powerful brass and string sections, and unique, previously unreleased compositions. The album's title is not that random, as, apart from the B-side opening track under the same title, we take a closer look at the period when the Łódź Orchestra, thanks to the "angry youngsters" such as Jacek Malinowski, Mirosław Racewicz, Jacek Delong, Andrzej Żylis and Zbigniew Karwacki, was exploring the genre taking the West by storm – Jazz-Funk. In the seventies, despite having over twenty years of experience, the Łódź Orchestra of the Polish Radio and Television was reinventing itself, sounding ever more modern and exciting with every passing year. Depending on the piece, there could be from forty to seventy musicians performing! The orchestra smoothly maneuvered between funk and disco, touching on illustrative music and jazz. Upon the project's completion, it turned out that 2021 will be a year of many anniversaries. 18 January marked the 100th birthday anniversary of the legendary conductor and founder of the Łódź Orchestra of the Polish Radio and Television, while July marked 20 years since he is no longer with us. What's more, Radio Łódź, Debich's home away from home for almost half a century, celebrated its 80th anniversary, and 30 years ago the Orchestra he managed until the very end was disbanded.

This album is an assemblage……glimpses of tradition…reflections on our collective present…luminous echoes between love and solitude.hope and absurdity.euphoria and mourning.This album grapples with and transgresses these binaries because we have/and continue to cross borders. Yet, for us, the border is no metaphor—too much real staring back at us.We embody the border.We (our families) have crossed it.We (our stories) are coated with its residues.And so… we cross the border of self through our art—out of necessity.This album was imagined while touring the country as families were corralled in cages.We then fled the wildfire of a nascent pandemic poised to (especially) ravage our communities as we recorded in Los Angeles.And our sonic journey concluded in Chicago while the country rebelled against the murderous consequences of policing in the U.S.Through this cascade of tipping points and tragedy, we summoned melody and verse to sound out verdant technicolor dreams of freedom and desire, mirroring the vortex of our time.And borders were at the center of these struggles.Borders—of nation, of belonging—are the struggle.And so, this album is a set of dispatches from that wondrous journey……our journey across and into a sunburst surreal.…our astral meditations on loss and triumph.…our sonic trek across a landscape of trauma and effervescence.…The border divides and defines places—yes. But it is equally a place unto itself—a borderland.It is the forbidden place where we dwell.The enchanting space where we are at home.The bustling city where we reflect.Look into our mirror. See us in you.