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Tony Allen
There Is No End

There Is No End
There Is No EndThere Is No EndThere Is No EndThere Is No EndThere Is No EndThere Is No EndThere Is No EndThere Is No EndThere Is No EndThere Is No End

Catno

0734547 0734547

Formats

2x Vinyl 12" 45 RPM Album

Country

Europe

Release date

May 7, 2021

Media: Mi
Sleeve: M

29.95€*

*Taxes included, shipping price excluded

Sealed, perfect copy. Ship worldwide or Pick-up possible in Brussels.

A1

There Is No End

0:19

A2

Rich Black

4:19

A3

Coonta Kinte

3:08

A4

One Inna Million

3:20

B1

Stumbling Down

2:31

B2

Crushed Grapes

3:17

B3

Gang On Holiday (Em I Go We?)

3:04

C1

Mau Mau

3:09

C2

Très Magnifique

3:24

C3

Hurt Your Soul

2:59

D1

Cosmosis

4:44

D2

My Own

3:48

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Explicitly, trumpeter Lwanda Gogwana bookends his track with the idioms of the Eastern Cape – galloping rhythms, harmonies from bow music and split-tone singing, a spluttering trumpet reminiscent of Mongezi Feza – and grows from them a chill contemporary meditation: no spatial or temporal barriers here.Chill, though, is the last term you’d use for Wretched, vocalist Gabisile Motuba’s Fanon-inspired project with drummer Tumi Mogorosi and sound artist Andrei van Wyk and the voices of Black Panther Kwame Toure and liberation leader Winnie Madikizela-Mandela: “What is history?..” Motuba demands. Mandeladescribes how imprisonment on Robben Island actually sheltered those who became post-liberation leaders from the visceral realities of the struggle. Her presence poses the same question; her history is still weighed down with calumnies even after an apartheid police boss admitted not a shred of evidence linked her to the killing she was accused of: the whole farrago was deliberate fake news.That, like ‘Ke Nako’ and The Brother Moves On's bitter allusion to “black yellow and green” (the colours of the ruling ANC) is the thread of another kind of tradition – the reminders and remainders of South Africa’s struggle not yet won – weaving through the album.Balm is offered by what guitarist Sibusile Xaba has described as his “modal, groove-oriented roots music”. It is, he says, inspired by dreams; he sees himself as a diviner not a performer and his music as functional for healing. 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