Angel Bat Dawid Tha Brothahood
Live

Clarinetist, composer, singer & spiritual jazz soothsayer Angel Bat Dawid presents this powerful live document alongside her band, Tha Brothahood. LIVE was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel and Tha Brothahood – which includes Deacon Otis Cooke (vocals, synth), Viktor Le Givens (vocals, auxiliary instruments), Xristian Espinoza (tenor sax, percussion), Norman W. Long (electronics, synths), Dr. Adam Zanolini (double bass, bass guitar, soprano sax, flute, percussion), Isaiah Collier (drums), and Asher Gamedze (drums) – it was the first stop of their first European tour. Angel and her band experienced a number of difficult, racially charged interactions during their two days in Berlin. But despite, or perhaps in light of the difficulties they faced, they performed a set at Berliner Festspiele that Angel considers to be one of their best ever. “The show was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling... It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show… we played our ass off!!”

RIYL:
Nina Simone, Funkadelic, Shabazz Palaces, Alice Coltrane, Iggy Pop, Sun Ra, Phil Cohran, Archie Shepp, Moor Mother, Irreversible Entanglements

**Deluxe Double Vinyl Package** two 140-gram vinyl discs (pressed by Pallas) inside a heavyweight reverse-board gatefold jacket with flooded black pockets, wrapped in a classic IARC obi strip and dome patterned inner sleeves. Gatefold features liner notes by Shannon J. Effinger (in English & German).

“This revelatory and confrontational live album centers around Angel Bat Dawid’s prowess as a band leader. With her eclectic band, it’s a brilliant document of how free jazz functions as both exploration and exorcism.” – Pitchfork (Best New Music, 8.4)

“Hear her guttural, despairing exhortations and try not to be shaken to the core.” – NPR (Best of the Year in Protest Music)

“LIVE captures a band working through the all-consuming grief of racism using the exorcising powers of experimental jazz and avant-garde improvisation.” – WIRE (Best Releases of the Year, #34)