Menahan Street Band
The Exciting Sounds of Menahan Street Band

“The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

Despite the ongoing pandemic, the past year was very successful for the celebration of Henryk Debich's 100th birthday anniversary. The master's albums: Zbliżenie [Astigmatic Records] and Horyzonty [GAD Records] turned out to be a huge success, bringing great reviews and attracting huge interest. The continuation of the publishing series devoted to archival recordings was a bull's eye. Jazz Funk from the communist time is still in demand.Astigmatic Records presented the works of Henryk Debich and the Lodz PRiTV Orchestra in the form of a seven-inch single "Monika / Zabawa w ciemności", and then a full-fledged "Zblizenie" [eng. closeup] album. Both records are practically unavailable on the market. It is time to close the trilogy with the second 7" with two compositions by Jacek Malinowski entitled "Dyskusja / Busz." [eng.Discussion / Bush]The aforementioned publications showed the unquestionable artistry of Henryk Debich and his orchestra. In the seventies, the Polish Radio and Television Orchestra in Łódź, despite over twenty years of experience, was rediscovering itself and sounded more modern and interesting with each subsequent year. The orchestra efficiently moved between funk and disco genres, touching on illustrative music or jazz. The hallmarks were the groove, pulsating percussion, powerful brass and string sections. The added synthesiser plays a special role in these compositions by Jacek Malinowski recorded in 1977.The entire trilogy was to appear in the conductor's jubilee year 2021. Unfortunately, the difficult situation in the publishing market related to delays in presses around the world has caused a shift, so the last part of the trilogy will be released at the beginning of February 2022, a few days after Henryk Debich's 101st birthday anniversary. So, once again, we have a reason to celebrate the master's achievements.