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Eric Hilton
The Impossible Silence

The Impossible Silence
The Impossible SilenceThe Impossible SilenceThe Impossible SilenceThe Impossible Silence

Catno

MH008

Formats

1x Vinyl LP Album

Country

USA & Canada

Release date

Jan 1, 2021

Media: Mi
Sleeve: M

26.95€*

*Taxes included, shipping price excluded

Sealed. Ship worldwide or Pick-up possible in Brussels.

A1

Alma De Lisboa

A2

Maestro Del Suono

A3

L'Espace

A4

Midnight In Montmartre

A5

Acetone Dub

A6

Cassette D'Afrique

B1

The Stranger

B2

Dark Alley

B3

Trust A Thief

B4

The Impossible Silence

B5

La Fille De Guyane

B6

In A Quiet Mood

B7

La Nuit

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Self-taught multi-instrumentalist and composer Bhekumuzi Hyacinth Mseleku (1955-2008), known as Bheki Mseleku, is widely considered to have been the most richly gifted South African jazz musician of his generation. Born in Durban, he moved to Johannesburg in the mid-1970s and played with groups including Spirits Rejoice, The Drive and Philip Tabane’s Malombo. In 1980, he left apartheid South Africa for exile in Europe, travelling with his close friend Eugene Skeef. (A percussionist, educator, poet and former close comrade of Steve Biko, Skeef originally produced the Beyond The Stars session, and contributes liner notes to this release.)Bheki spent six difficult years in Stockholm before moving to London. After a triumphant debut at Ronnie Scott’s, in 1992 he would release his now classic debut album Celebration for World Circuit, before signing with Verve. He would go on to achieve worldwide recognition, recording and touring with jazz luminaries including Elvin Jones, Pharoah Sanders, Joe Henderson and Abbey Lincoln.Throughout his life, Bheki struggled with both his physical and mental health. He was, as Eugene Skeef puts it, ‘a conduit for the healing energy of music to flow into the world’, a gift that came at a cost. At the start of the new century, Bheki returned to live in South Africa, but just a few years later he found himself in compound difficulties: life at home had proved too hard, and he was not well. He had also lost his imported Steinway upright piano in an unwise business deal and had not been able to play. In 2003, Skeef helped him return to London, where they hoped to realign his health and rekindle his career. Through his work with the London Philharmonic Orchestra, Skeef arranged for Bheki to have access to the Steinway concert grand pianos held at Henry Wood Hall. After Bheki had spent a few weeks recuperating, Skeef booked a studio session at Gateway Studios.Beyond The Stars was the result: a stunning, solo piano suite which condenses Mseleku’s visionary overstanding of South African music into a flowing, pulsing statement in six parts. With jazzwise echoes of marabi, amahubo, maskanda and Nguni song forms binding it to the deep music of Mseleku’s Zulu heritage, Beyond The Stars provides what Blue Note recording artist Nduduzo Makhathini describes in his liner notes as ‘a divine summary’ of Bheki’s life story: ‘a sonic pilgrimage from the beautiful and organic landscapes of Durban, to the vibrant energy of London and ultimately toward the inner dimensions of one’s being.’But releasing the album proved impossible at the time, and so the session has remained unheard. Bheki sadly passed on in 2008, without having released a new album for five years; almost two decades have now passed since any new music by him has emerged. Working with Eugene Skeef, Tapestry Works is proud to break the silence with a first issue for Bheki Mseleku’s visionary masterpiece, Beyond The Stars. released March 13, 2021Bheki Mseleku – piano, voiceAll compositions by Bheki MselekuRecorded on the 28 November 2003 at Gateway Studios, LondonProducer – Eugene SkeefCo-producer – Derek JohnsonEngineer – Steve LoweAssistant Engineer – Gurjit DhinsaMastering – Colin Young at See Why AudioLayout – Divine Inc.Liner notes by Nduduzo Makhathini and Eugene SkeefLicensed from Eugene Skeef / Umoya CreationsFront cover photo by Siphiwe MhlambiBack cover photo courtesy Wakefield JazzProduced for release by Federico Bolza and Francis Gooding in coordination with Eugene Skeef