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Alfa Mist



Alfa Mist






2x Vinyl LP Album Repress



Release date

Jan 1, 2021

Alfa Mist Antiphon Sekito jazz uk lp vinyl turtle records brussels belgium

2022 Repress.

Media: Mi
Sleeve: M


*Taxes included, shipping price excluded

Sealed. 2022 6th press. Ship worldwide or Pick-up possible in Brussels.


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When Dunham Records/Daptone producer and musician Thomas Brenneck first heard the close family harmonies of the Sha La Das he had a revelation; he knew he had to get it on tape. Direct from Staten Island, the four Schaldas, father Bill and sons Will aka Swivs, who also toured the world playing keyboard for Charles Bradley and his Extraordinaires, Paul of Paul and the Tall Trees and Charles Bradley and his Extraordinaires, and Carmine had come into the studio in Brooklyn to record background vocals on Charles Bradley’s Victim of Love. It was a passion that drove Brenneck from the very beginning.“Hearing them sing together in the studio was incredible”, says Brenneck. He collaborated with Bill Schalda writing songs and applying harmonic sensibilities rooted in doo wop, blues and soul. It wasn’t a stretch for Bill, after all he’d been second tenor when still a teen in Brooklyn vocal group, The Montereys in the 1960s (their 45, Face In The Crowd/Step Right Up on Blast records sells for $500 these days) who would play venues from neighborhood bars to the 1964 World’s Fair in Queens.“Bill is the genuine article, just like Charles Bradley and Sharon Jones, he came directly from the source,” says Brenneck. Indeed, Bill Schalda was right there amongst doo wop and r&b groups of the era, singing Moonglows and Flamingos tunes.“You’d go out on the street and constantly hear a bunch of guys singing on the corner, they’d finish playing handball in the schoolyard during the day and then they’d start singing at night,” says Bill. “We were all just guys in the neighborhood in Brooklyn, who gradually found each other.”After their children were born, Bill and wife Linda moved the family across the Verrazano-Narrows bridge to Staten Island. Growing up, sons Will, Paul and Carmine remember summer nights singing group harmonies on the stoop of their home with their father Bill guiding them. “He would bring us out on the stoop on Staten Island and he would teach us each parts of say, the sesame street song – we were his backing group very early on – that was fun,” says eldest son, Will.On this, their debut, the talent is harnessed in 11 songs, each tender-voiced delight delivered with absolute conviction combined with musicians that have help define the Daptone/Dunham Records sound including Brenneck, Homer Steinweiss, Dave Guy, Leon Michels, Nick Movshon and Victor Axelrod. “I wanted to take the Sha La Das outside of the doo wop genre,” says Brenneck. “To take the whole vocabulary of doo wop harmony and reapply it to soul - so you get super soulful harmonies along the lines of The Manhattans & The Moments.”From the opening atmospheric guitar strum of Open My Eyes via a walk along the Coney Island boardwalk catching the last glimpse of sunlight at dusk of Carnival to the sublime crescendo of harmonies of the winsome Love in the Wind, each song evokes a deeply personal yet universal yearning that none of us can escape. Quite simply every song yields magic.There’s something special when a family can meld voices in close harmony. The Everly Brothers had it, The Beach Boys had it, the Schalda's have it.
An ode to the city of HabanaYou have to know how to move away from the rich, strong and noisy streets, if you want to discover another Havana. A Havana far from the tourist circuits and preconceived images.A Havana where one discovers bucolic, but hard and stripped too after slow journeys in the crowded buses, a Havana with which Al Quetz maintains a passionate history since more than fourteen years.Installed in one of those neighborhoods that can only be reached by going deeper into the alleys, from the open window of the studio comes the sound of banging drums and thumping bass. The sound reaches the streets on which the day rises.The place wakes up in a growing tumult, with some rare engines coughing, conversations under the windows, songs of the street vendors , an urban ballet sets up as the sun darts its rays.Far from the musical clichés with percussions and horns, Cuba is an island bombarded with influences that one discovers. An island which vibrated for the jazz, the soul, the psychedelic rock , from the waves coming from the Caribbean to those of the bulky neighboring ogre, .A musical flowering as varied as abundant that the glorious post-revolutionary label Areito has on thousands of recordings, and that Al Quetz has designated as the sole source of his samples to compose Habanologia.From the ambiences that punctuate the local daily life caught by his samplers, he let the melancholy infiltrate his hip hop beats, the nostalgia melting in the depths of his grooves. Nostalgia in the Cuban air, even during moments of intense laughter, which never totally disappears.Habanologia restores these moments when the song of the birds has extinguished those of the cars. Where, sitting on a doorstep, we comment on the life of the neighborhood, we watch the women's swaying at eye level. The whole day if necessary, the coffee at one peso, after a certain hour, which leaves its place to the Planchao rum. Wandering through its streets where a chance encounter can itself bring others and lead to the essence of the habanera life. From Regla, after a short trip on the bus-boat that crosses the bay, savor the end of the day, observe the capital from afar, let the nocturnal insects ensure some arrangements and drift towards mysterious horizons, bringing to the contemplation of the place and the moment.A flute, a keyboard, percussions or a voice. Al Quetz also invited his friends from the island or elsewhere to decorate his productions with their live touch. To share with him this Havana for which he covered his tracks, mixed times and distorted space-time to make it timeless.To write with Habanalogia, a declaration of love to the Cuban capital, to make Havana, His Havana.